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Removes the thin outline/halo left around art after background removal. Works in every mode — raise it until the outline disappears (usually 1–2). 0 = off.
Semi-transparent areas (soft edges, fades, removed backgrounds) print with thin white ink under them, so the film/garment greys the colours out. Raise White underbase → Strength to push partial transparency toward solid — the RIP then lays a full white layer and colours stay vibrant. X-ray highlights the thin areas (yellow → magenta = thinner) so you can see the problem before you print; View white film shows exactly where white will print, and screen printers can export it as a choked 5th film.
Adds worn texture: pick a style (dots/lines/splatter/wood/streaks), then dial amount, angle, and spacing. "Under distress" toggles whether it sits over the halftone or a solid fill.
Set the physical size (inches/cm) + DPI. This drives the halftone frequency so dots are physically correct at any size, sets the export resolution, and embeds the DPI in the PNG. Off = the manual Cell-size slider is used instead.
A small image can't be exported large and stay sharp. Aim for ~300 DPI at your finish size:
Too small? Use AI upscale (works best from ~1000px+). AI-generated art is ~1024px — upscale it before large prints. Print setup shows a live DPI check for your exact image.
Pick a garment colour to preview how it prints, or leave it on Film for the transparent production file. Export PNG gives the film/proof; in CMYK, Export separations gives the plates — plus the white underbase as a 5th film when you've set a strength.
Presets save your entire look — mode, screen, dots, distress, underbase, print size — and re-apply it to any image in one click (stored in this browser). Batch export runs up to 24 images through the current settings and downloads one zip. Both live below the Export button.
Tip: zoom with the scroll wheel, drag to pan. Crop before halftoning to isolate your artwork.